The new season presents a slew of new investigations – a search for a missing drawing by Charles Darwin, a murder that mimics the plot of a mystery novel, a poisoning scheme, and a grave-robbing conspiracy. Charlie Phelps (Tim Chippings, Liar) rounds out the cast as a rough-around-the-edges detective at Scotland Yard. His boss puts politics over policing and demands Duke mentor the inept Detective Fitzroy (Evan McCabe, Doctor Who), son of Police Commissioner Fitzroy (Michael Simkin, This Is Going To Hurt). The cast also includes Duke’s new boss Superintendent, Monro (Ian Pirie, Guilt). I can’t wait for Season 2 to explode onto the screen!” And as usual Eliza and Duke will be crashing into each other’s orbit, stepping on each other’s toes – there will never be a dull moment between these two. The world of Scarlet is as vibrant as ever with new friends and some new foes for our duo to deal with. “As with season one we have action, adventure, romance, and more.

“It was an absolute joy diving back into Eliza and Duke’s world and I just know the fans are going to love what we have in store for them,” notes creator, writer, and executive producer Rachael New. To his credit, Duke is a natural-born crime-buster who is destined for high office at Scotland Yard.Īlong with the help – or hindrance – of William, Eliza is aided by her odd-job man Moses (Ansu Kabia, World on Fire), her wise housekeeper Ivy (Cathy Belton, Hidden Asset), and her protégé, Hattie (Jessie Cave, Harry Potter).

In an era of tight corsets and strict patriarchy, Eliza Scarlet is England’s first female private eye… and the nation’s finest detective. WITF Passport members can binge the entire season on the same night as its television premiere. Watch the Season 2 premiere of Miss Scarlet and the Duke on Sundays, October 16 – November 20 at 8pm on WITF TV or the PBS Video app. Now, it’s time to find better ways to interact with you and ensure we meet your high standards of what a credible media organization should be. The days of journalism’s one-way street of simply producing stories for the public have long been over.

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